1. Distance

    I still remember when I heard this for the first time.

    100% Fun had just come out, and like a lot of 90s teenagers, I ran out on release day and picked it up. Thanks to MTV, I already knew how kick-ass “Sick of Myself” was (mentioned previously) and so I eagerly awaited hearing the rest of the album. And there I was, doing some evening chores and occasionally catching a glimpse of the liner notes, when the pedal steel kicked in.

    And then the tears kicked in right on cue. Before the second verse kicked in, I was a blubbering wreck in my parents’ living room.

    Sixteen years later and I still remember. I was torn up over a girl, and this song hit me right in the sternum. I felt terrible, because that’s what good songs about sadness do, but eventually I got it out of my system.

    As much as I would love to claim otherwise, I am a product of my memories, no matter how badly I want to distance myself from them. I still need memories like this to understand what’s going on now.

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  2. Better than their name would suggest: iLiKETRAiNS - “Spencer Perceval”

    Let’s get it out of the way first: I don’t like their name, and while they’ve thankfully moved beyond the begging-to-be-bracketed-by-xXes “iLiKETRAiNS” styling to simply “I Like Trains”, their name just sounds dumb.  Still, they’ve been a minor obsession of mine the past few days, and what I believe they get right far outweighs what they get wrong with their name.

    I don’t hide my love for post-rock, but I’ve always had a problem with the addition of vocals.  The neat narrative of so many songs seems a bad fit for the sprawling symphonies of drones and feedback found in GY!BE’s best work.  ILT, however, finds a nice middle ground in which to put the vocal track — keeping the hallmark build-up, but paring back some of the more experimental facets of the genre.  And what vocals they are - carefully-researched depictions of historical figures and events (like the Great London Fire of 1666 or, well, the only British Prime Minister to be assassinated) delivered in a style that calls to mind Nick Cave’s softer work.  Though they’d probably balk at the description, my internal shorthand for their sound has been “The Decemberists gone goth”.  I can live with that.

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  3. “This video contains third party content and the audio has been disabled.”

    Really, I can’t make this up.

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  4. Plays: 5

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    Communication Zero - The Things You Said

    CZ, back again with a kick-awesome Depeche Mode cover

     
  5. Plays: 12

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    Kate Rusby - I Wish

    I know that the Tumblr Hivemind* typically eschews folk that isn’t from some Brooklyn kid with a beard too large for his chin. That’s unfortunate, because Ms. Rusby is a fantastic talent. There’s something delightfully perverse about how damned cheerful the melody is, when the song’s protagonist wants nothing more than to be blind and/or dead because of some farmboy who knocked her up.

    * Seriously, Tumblr Hivemind, fuck you. Your favourite band sucks.

     
  6. Plays: 8

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    Venetian Snares - If I Could Say I Love You

    Y’know, it’s kinda neat to hear Aaron Funk do something other than his typical “dying twitches of a broken drum machine” spazzfests. I love me some Snares (the Doll Cycle, especially), but it’s cool to hear him do something different. Like this solemn orchestral number from “My Downfall”.

     
  7. Plays: 2

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    Imminent Starvation - Strass

    A fascinatingly weird percussive mess.

     
  8. Plays: 7

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    Nick Drake - Day Is Done

    This is the home recording version of the song, and in my opinion it’s the most affecting. There’s no studio polish, no string section playing backup. The audio’s fuzzy. The levels probably need tweaking. And, good gosh, the tape drops out for a bit! In short, it’s a crummy recording. But it’s slower and, though I thought it impossible, sadder than the Five Leaves Left version. It sounds defeated and broken even before the vocals (expanded from the studio version) kick in. It’s creepy in that lonesome, personal, Silent Hill 2 sort of way. And I love it.

    I swear, if I ever get my taste for running horror RPGs back, I’m totally using this in the soundtrack. (and Sunn O))), Lustmord, Akira Yamaoka, and Elliot Smith. that’s how I roll.)

     
  9. ninjabot:

    Music using ONLY sounds from Windows XP and 98!